(Referring to Jack Hannahan signing with a Korean team)
Since there are no teams on the moon, I guess South Korea's far enough from Cincinnati to satisfy me.
-RichRed
The Sandlot gets my vote with The Natural a very close 2nd. I never thought 8 Men Out was all that great a movie.
Grape works as a soda. Sort of as a gum. I wonder why it doesn't work as a pie. Grape pie? There's no grape pie. - Larry David
(Referring to Jack Hannahan signing with a Korean team)
Since there are no teams on the moon, I guess South Korea's far enough from Cincinnati to satisfy me.
-RichRed
I don't agree with any particular bias in Burns's documentary. I think the East Coast coverage is in line with the area's place in baseball history. To take away from that would be an anti-East Coast bias -- it's just a fact that a huge chunk of the professional sport's history is there.
With such a mammoth project, you have to pick and choose what to focus on, and I think he chose things that rounded out the sport well. A lot of the Red Sox stuff is about the sport's influence outside of the sport (likely due to the fact that a lot of vital talkers for the documentary are writers from New England, which I believe he acknowledges). He spends a good deal of time on Branch Rickey and the Cardinals and the development of the farm system. The 30s episode is almost entirely about the Negro Leagues. He does spend time on the BRM in the 70s, especially the 75 World Series. The last episode focuses on the changing nature of the business of the sport, including collusion, and it makes sense to cover that in a way that spans a few decades (also because it was made in 1994 and probably Burns didn't feel comfortable regarding that era with a completely historical eye yet).
If anything, the thread running through the whole series is racism's effect on the sport through history, from the beginning through Al Campanis. A project like that has to have a thematic thread (or it should) and can't be about what every single team did each year and blah blah blah, or even just about the WS and so on. It takes a much bigger look at baseball as it relates to society and is a part of it and where it diverged from it. Some teams just had bigger, more obvious roles in that than others. It's not about teams or regions; it's about the sport within the context of American history.
There is no such thing as a pitching prospect.
*BaseClogger* (06-04-2013),cincinnati chili (09-13-2014),RedEye (06-04-2013)
I'm not a fan of baseball movies much.
The Natural, Bull Durham and 8 Men out (only one I own but I'm a John Sayles fan)
The rest meh... hate the comedies the most.
Absolutely agree on the Altman comparison, at least in terms of storytelling, though I'd place Altman higher in the pantheon. To risk taking this thread in a off-topic direction for the ORG, Nashville, The Player and Shortcuts are three of my favorite American movies of the past half-century.
I've actually thought Sayles has been a bit off-track lately... pretty much since Limbo. His recent Amigo is pretty fantastic though.
Last edited by RedEye; 06-04-2013 at 04:46 PM.
“Every level he goes to, he is going to compete. They will know who he is at every level he goes to.” -- ED on EDLC
Chip R (06-04-2013)
I'm not a system player. I am a system.
RedEye (06-04-2013)
“Every level he goes to, he is going to compete. They will know who he is at every level he goes to.” -- ED on EDLC
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